Book Reviews

Our reviews of the latest in literature

The Falklands files

As we approach the thirtieth anniversary of the Falklands War, Britain’s victory is justly recalled. That the war came near to disaster is conveniently forgotten. How well-placed are we to hold the islands today? When the 127 ships of the Task Force — a number that could not be assembled now  — returned in triumph to the home ports in 1982 no one wished to talk about how near the venture had come to grief. Without detracting from the courage and skill of the British forces, victory came because of three unpredictable weaknesses on the Argentine side: they ran out of Exocet missiles, many of their 1000lb bombs failed to

Across the literary pages: when Tony met Ian McEwan

Guardian HQ visited the future this weekend. The newspaper group hosted its inaugural ‘Open Weekend’ — a ‘festival of debates, workshops, music, comedy, poetry, food and fun’, according to the blurb. There was live music (banjos and interpretative dance, naturally). A farmers’ market ran along the adjacent canal and a selection of seedlings for sale from the garden centre. There were also some talks about urgent issues, poetry readings and exclusive access to the editorial offices. The Guardian loses £1 million a week by some estimates: alternative income must be found. It’s the same story for most media organisations these days. Writers are good value at this sort of junket. Ahdaf Soueif,

Who are the losers now?

Keith Lowe’s horrifying book is a survey of the physical and moral breakdown of Europe in the closing months of the second world war and its immediate aftermath. It is a complex story and he tells it, on the whole, very well. Though the first world war took the lives of more uniformed young men, in the useless slaughter of the Flanders trenches, many more people, chiefly civilians, died in 1939-45. Soviet casualties were the greatest: 23 million killed, of whom two million came from Belarus and seven million from Ukraine. Next came the Poles, with losses of 6,028,000, the largest percentage of the population in any country. The Germans

Architectural bonsai

In the summer of 1961 I was in my second year at Magdalen College, Oxford with rooms in the 18th-century New Buildings. One of my neighbours there was a quiet man called Jonathan Green-Armytage. Sitting out on the steps of the building’s colonnade, in the sun, we became friends. He was already a distinguished photographer. He showed me photographs he had taken of Edith Sitwell, with her medieval face and gnarled, beringed fingers. They were at least as good as Cecil Beaton’s portraits of the old poet. One day, Jonathan said to me: ‘I think you’d enjoy to meet my god-mother, Vivien Greene; and I think she’d like to meet

Memory games

I read this novel while convalescing from pneumonia. It proved admirably fit for purpose. A light diet, mildly entertaining and with enough twists and turns of plot to serve as a tonic. John O’Farrell is a man of many parts — comedy scriptwriter (Spitting Image, Alas Smith and Jones), political satirist (An Utterly Exasperating History of Modern Britain) and bestselling novelist. The Man Who Forgot his Wife is his fourth. The protaganist, Vaughan, hasn’t just forgotten his wife, he’s forgotten everything. Travelling on the underground one fine October afternoon, he suddenly finds his memory has been ‘wiped’ (more computer references to follow) and staggers into a hospital where a consultant

Siege mentality

The mirrored sunglasses worn by Putin on the cover of Angus Roxburgh’s The Strongman give the Russian president the look of a crude mafia boss, while the half-face photo on the cover of Masha Gessen’s book makes him appear both more ordinary and more sinister. This hints at the difference of the authors’ approach. Gessen focuses on the trajectory of a postwar Soviet boy growing up in a shabby communal flat, fierce and vengeful in street fights, who dreams of joining the KGB. This dream was fulfilled: Putin got a boring job as an agent in East Germany, and ten years after returning home he surprisingly became the most powerful

A choice of first novels | 24 March 2012

Charlotte Rogan’s The Lifeboat (Virago, £12.99) comes garlanded with praise from the likes of J. M. Coetzee and Hilary Mantel. Rogan, who has only taken up writing after a career in architecture and engineering, tells the story of Grace Winter, a young woman on trial for murder as the novel opens. She and her husband Henry had been travelling on a transatlantic liner, the Empress Alexandra, in 1914. When the ship mysteriously sank, Grace managed to secure  a place on a crowded lifeboat, commanded by the enigmatic Hardie. But what happened to her husband? And why did the ship sink? Rogan does an excellent job of conveying the fear and

Bookends: A matter of opinion

In an age when the merely mildly curious believe they can get all they really need to know from Wikipedia for free, A. N. Wilson’s fellow literary professionals must take heart from his expectation that there is still possibl to charge for a work of such succinctness that it is essentially an extended Wikipedia entry enlivened by some opinions. Wilson’s Hitler: A Short Biography (Harper Press, £14.99)certainly trumps Wiki for stylistic brio and brims with the author’s customary zip and zing. Inevitably few of the insights are especially original, but they are punchily delivered, particularly regarding Hitler’s early bone idleness and his modish, rather than outlandish, belief that science had

Interview: Colm Tóibín

Colm Tóibín began his writing career as a journalist. Although he wrote his first novel, The South, in 1986, it took him a further four years to find a publisher. Since that seminal moment, Tóibín has delivered five other novels; two books of short stories; two plays, as well as several works of non-fiction. He has been nominated for the Booker Prize three times, and won The Costa Novel Award, for Brooklyn. In his latest book of essays, New Ways to Kill Your Mother, Tóibín explores the odd relationships that various writers, including W.B Yeats, Samuel Beckett, John Cheever and Thomas Mann, had with their families, and asks how it

The dishonour of the Second World War

On 13th March 1938, judgment was passed in the political show trial of Nikolai Bukharin, former head of the Soviet Politburo. He was sentenced to death. Bukharin was taken in silence from the dock to the exit to the cells. He paused at the door and cast his eyes up to the gallery that contained the free world’s press. Fitzroy Maclean was sitting there. As Bukharin stepped into the darkness, Maclean looked across the courtroom. Joseph Stalin had appeared in the gallery opposite. The dictator gazed impassively after the vanishing Bukharin, his paranoia quelled for the moment. That scene of terrifying injustice explains why Evelyn Waugh’s Sword of Honour, written

Ending a war story

What, if any, are the similarities between the great novels of past wars, such as Somerset Maugham’s The Hero (the Boer War), Ford Madox Ford’s Parade’s End (WWI), and Evelyn Waugh’s The Sword of Honor Trilogy (WWII)? And is there a connection between these wartime experiences and our current conflicts in Iraq and Afghanistan? As a veteran of the recent Iraq War, I found myself haunted by these novels not because of how our response to war has changed, but because the experiences of troops returning from battlefields in the Cape and Verdun when compared to those of Baghdad and Helmand matches with a startling sameness. It would be a

BOB will triumph

Every time I do a ‘CTRL F’ search, allowing my computer to achieve in milliseconds what it took the schoolboy me hours to do (find a particular word among pages and pages of text), I think of a small business centre in Sheffield, and imagine its occupants to be shaking in fear at the onward march of e-books. For it’s in this business centre that the Society of Indexers is to be found. (I know — you think they’d have a dusty garret somewhere in St James’s.) With Kindles and iPads able to instantly locate every occurrence in a book of whichever word or phrase you’re looking for, surely the

Shelf Life: Sean Thomas Russell

A new world flavour to Shelf Life this week, as the novelist Sean Thomas Russell joins us from Vancouver. He has been getting to grips with Shakespeare — an attempt, perhaps, to escape the pervasive influence of Bill O’Reilly. His latest novel, A Ship of War, is published in Britain next week. 1) What are you reading at the moment?   Shakespeare After All by Marjorie Garber. I’ve been on a Shakespeare kick recently. I just finished Will in the World by Stephen Greenblatt and A Year in the Life of William Shakespeare: 1599 by James Shapiro. I recommend all three. 2) As a child, what did you read under the

Taxing books

There’s a cracking story in the Bookseller this morning. The Publisher’s Association is calling on the government to cut VAT on eBooks to the zero rate enjoyed by print books. eBooks currently attract 20 per cent VAT, whereas print books are exempt on the grounds that they promote education. The Publishers’ Association complains that eBooks provide the same social value as print books, and demand that the playing field be levelled. There is a further complication in that some digital companies, Amazon among them, are selling English eBooks from Luxembourg, which only levies 3 per cent VAT on eBooks. This puts British retailers at a competitive disadvantage at a time

Battling through Budget Day with WSC

Don’t be ashamed if you can’t understand the Budget. Economics is a notoriously tricky business. Even chancellors of the exchequer find themselves flailing about in the dark, dependent on the guidance of others. Winston Churchill explained his disastrous policy of returning sterling to the Gold Standard in 1925, by writing: ‘I had no special comprehension of the currency policy, and therefore fell into the hands of the experts.’ (That sentence appears in the unpublished draft of his History of the Second World War. It was excised from the final version, by whom and for what is unknown.) Churchill’s candour about his own limitations reveals something of his character, but his breezy

Brightening your commute

Attention all those who commute through King’s Cross. A new bookshop has opened on the concourse near platforms 9-11, next to the shrine for Platform 9¾ of Harry Potter fame.  This is the first Watermark store to open in Europe. Watermark is an Australian firm that specialises in filling small spaces in major travel hubs. It is a traditional bookseller in the sense that well educated, book-loving staff are on hand to offer customers the expertise that is usually unavailable in a travel terminal newsagent like WHSmith. (Smiths seem to be the only such retailer in Britain.) Staff sometimes have a foreign language — a useful bonus in an arena

Notes from the underground

‘Zines and self-publishing are a bone of contention in my house. “I don’t have much time for self-publishing,” says my flatmate who works for Bloomsbury, “if it was any good it would have been published properly.” I, however, am in love with the idea that if anybody wanted to make a book or zine themselves, they could, quite easily, and control every step of the publishing process. So on Saturday I left her reading ‘proper’ books and took myself to the Publish and be Damned ‘zine and self-publishing fair at the ICA. Self-publishing is an inherently self-indulgent pursuit, and I will concede to my flatmate that it is not unusual

Paxman’s rogues, villains and eccentrics

Isn’t Paxo’s series on the British Empire brilliant TV? Gone is the weary contempt that he wears on Newsnight. Instead, he is visibly enthused by talking to ordinary people in far flung lands. Paxman isn’t telling a new story, but he’s a gifted spinner of old yarns. Pottering around a spice market in Calcutta, going to the races in Hong Kong, meeting the relatives of mill workers in Lancashire, beating sugar cane with the descendants of slaves in Jamaica, having tiffin with the great-grandson of the Mahdi in Khartoum  — there is an air of the sahib about Paxman, but he has the common touch. Empire is our book of the month. Its weakness is that

Discovering poetry: George Herbert and the meaning of Easter

Easter – Rise heart: thy Lord is risen. Sing his praise     Without delayes, Who takes thee by the hand, that thou likewise     With him mayst rise: That, as his death calcined thee to dust, His life may make thee gold, and much more just. Awake, my lute, and struggle for thy part     With all thy art. The crosse taught all wood to resound his name,     Who bore the same. His stretched sinews taught all strings, what key Is best to celebrate this most high day. Consort both heart and lute, and twist a song     Pleasant and long: Or since all music is but three parts vied     And multiplied; O let