Book Reviews

Our reviews of the latest in literature

A clump of plinths

The joke surely with Monty Python is that these trainee doctors, accountants, solicitors and bank managers, who met at college when they were reading law or medicine, never really stopped being those respect- able middle-class things. There’s an air of put-on daftness about the Pythons; this is an end-of-term cabaret by the chumps from Management and Personnel. They remind me of those prats in the front row of the last night of the Proms who think it wildly funny to bob up and down in time to Henry Wood’s ‘Fantasia on British Sea Songs’; or they are the committee of the Goon Show Preservation Society, eating damp sandwiches and ordering

A group of noble dames

‘Lucy could have wished that Florence were not quite so ingenuous. One should not seize on a delicate implication and put a pin through it,’ writes Frances Towers in ‘The Chosen and the Rejected’, one of ten short stories published in 1949, the year after the author’s death, as Tea with Mr Rochester, here reprinted by Persephone. Frances Towers’s writing is full of delicate implications; happily for the reader, each is neatly pinned. Such is the deftness of her touch, her elegant leger- demain, that she conceals the building blocks of her artistry, simply nudging the reader towards recognition of that implication that repeatedly in her stories provides the denouement.

Lonely confessions

The 2003 Shiva Naipaul Memorial Prize winner.There were more than 100 entries from a total of seven countries. The runners-up were Henry John Elsby Sanderson, Enrico Boerger, Gregory Lourens, Matthew Lawrence Holmes, Simon Rew, Kevin Barry and Joanna Elizabeth Streetly. Harry was eight, and he bore the mark of a victim. It wasn’t that he was especially stupid or clumsy or weak; it was a perpetual feeling of shame. His walk was slow and slightly stuttering, as though he was trespassing somewhere far above his station and expected to be exposed at any minute. He’d chosen his English name in imitation of the wizard hero, and found that every third

That land is their land

In 1961 the anthropologist Richard Mason was exploring a river in southern Amazonia when he was ambushed by a hitherto unknown tribe of Indians, later identified as the Panar

Aches and aphorisms

It is difficult to demonstrate why the Lees-Milne diaries, of which this is the tenth volume, are among the best of the 20th century. Easy to feel why, for you race through the pages with addictive passion, not wishing to miss a word, but awkward to justify the excitement. These are not records of momentous events (Greville or Nicolson or Channon), nor cleverly turned insults (overrated Alan Clark). They are simply the thoughts of an educated, emotional, rueful man with his eyes and ears perpetually on the alert for what makes human beings interesting or foolish, written with such tasteful ease one swallows them like Belgian truffles. They are nearer

Julie Burchill

Youth, I do adore thee

At the risk of being vulgar, I can’t help thinking that Dr Greer’s (‘At least she’s got an “ology!”’, I always say in her defence, when callow acquaintances mock her) attitude to matters sexual goes up and down like a bride’s nightie. Whereas most of us, thanks to our helpful male classmates, learn whether we are ‘frigid’ or ‘nympho’ back in Big School, and more or less manage to stick to these guidelines for the rest of our natural lives, the good professor’s libido has historically been all over the shop. Starting out as a young blood who was happy to pose not just in the altogether for underground magazines,

The play’s the thing

The early life of Arthur Miller reads a bit like the first chapters of The Adventures of Augie March by Saul Bellow: a precocious Jewish boy during the Great Depression, an influential older brother, an adolescent sexual awakening with a prostitute. Indeed, his life as a whole — in which he was to marry and divorce Marilyn Monroe, be found in contempt of Congress for refusing to name (fellow) communists and write his century’s greatest play — contains narrative, novelistic elements that cannot fail to compel: sex and celebrity, politics and theatrics, tragedy and Tragedy. In 1987, Arthur Miller turned it into a narrative work in the sprawling, creatively crafted

A regiment to reckon with

In the spring of 1990, at the age of 21, I found myself sitting on an English hillside in the sun as one member of a brand-new training platoon of British squaddies. Having been marched up hill and down dale for a couple of hours that afternoon, we were handed large cans of beer by the corporals and told to stand up one by one — in front of the platoon, its NCOs, and its lieutenant — to explain what motivated us to join the Light Division. As a university-educated Canadian, my own reasons were odd-sounding and faintly naive, while the other soldiers’ reasons had an enviable clarity: ‘I got

James Delingpole

Ideas received or rejected

Until I read his enthralling account of what it’s like to be a middle-class sixtysomething crack addict, I’d never quite appreciated the genius of William Donaldson. I know his Henry Root letters are supposed to be very satirical but I found them a bit hard going myself — like a complex in-joke that you really need to have been somewhere weird like Harrow to understand. Initially, I felt the same way about I’m Leaving You Simon, You Disgust Me. Like Root, it’s sure to be found in every middle-class downstairs loo everywhere by the time Christmas is over, but on my first flick-through it seemed to me to fail in

A great painter’s likeness perfectly caught

Robert Hughes has suffered no shortage of appalling things over the past five years. He has experienced deep depression and a second divorce; he suffered atrocious injuries in a car crash which came within inches of killing him, and has had to undergo 12 operations to piece his body back together again; a feeble attempt was made to blackmail him; he was tried for reckless driving; a scathing attack on his character was conducted in the Australian media on account of his perceived arrogance; he became an unwelcome figure of contempt in his own country, and his estranged only son committed suicide. From an outside perspective, all this has been

Speaking of God

Where is England’s smallest church? The question must have preoccupied nerdish retired vicars for centuries and is probably best answered then forgotten. Despite the title of this survey, John Kinross fails to give a clear answer. ‘Smaller’ churches would have been fine, but smallest raises expectations. The apparent shortlist is Culbone (Somerset), Dale (Derbyshire), Wide- mouth Bay (Cornwall) and Lullington (Sussex), though readers may devastate me with alternatives. Culbone is a delicious place nestling above the Bristol Channel beneath Exmoor, accessible only on foot a mile through the forest. On a sunny day with birdsong in the trees and sea glinting through the leaves, it is as sublime as any

The other island

This massive volume weighs in at seven pounds on the bathroom scales and cost The Spectator £14.50 in stamps to send out for review. If it is difficult to write about, this is not because of its size and weight but because the eye is constantly caught and distracted by fascinating pieces of information, so that a reviewer reads on and postpones writing about it. (Which is, I suppose, the best mini-review such a compilation can hope for.) The general editor, Brian Lalor, says in his preface that ‘16 senior consultant editors and 50 consultant contributors have guided a standing army of 950 writers in four continents…’ and that the

Rebellion in the suburbs

First published in 1914, two years after he had married Virginia, Leonard Woolf’s second novel The Wise Virgins must have shocked its readers with its tale of an unfortunate coupling and hasty marriage. Now the romance/sex all seems rather tame, and this fiction startles for a very different reason: its harsh caricature of Jewishness (Woolf himself was Jewish) and its tart comments on suburban life. From the first page, Woolf reveals himself as an astute observer of social undercurrents: The thin brick walls and the manners of civilisation divide the stockbrokers, the lawyers, the merchants, the rich and the poor into families, as effectually as the jungle and ferocity divided

The beauty of signal-boxes

The Duke of Bedford insisted that railway stations built on his estate had to be picturesque. He chose a half-timbered design based on Loudon’s Encyclopaedia of Cottage, Farm and Railway Architecture. His stations can still be seen from that improbable survival, the slow train from Bletchley to Ridgmont, Millbrook, Fenny Stratford and Woburn Sands. Future dukes in search of ideas can now thank Gordon Biddle for a new encyclopaedia. In Britain’s Historic Railway Buildings they can look up stations, tunnels, viaducts and signal-boxes all the way from Penzance — where Brunel’s original station was described as a large dog’s house of the nastiest and draughtiest kind — to the king-post

All knickers and knockers

Whatever else this is, an intimate portrait of Mrs Parker Bowles it is not, or at least not one written by the author. This is a scissors-and-paste job, the bones of earlier would-be biographers whitening in every chapter, which gives it an air of California or Bust. Clearly done at speed, there are many errors of punctuation and of typography (Welsh has a lower-case throughout), and one can almost hear the prayer, ‘Lord, there be 2,000 words by lunchtime, and nothing decent on TV this afternoon. Oh dear, why ever did I sign that contract? Ah well, that’s paid the nanny for another six months.’ Because, with the exception of

Sounding the last post

The work of the obituarist is not unlike that of the book reviewer. Both have to tell their reader what the subject of their piece is all about; both have to pass judgment on its merits and demerits; both have to provide something which will be entertaining as well as informative. Under the direction of Hugh Massingberd and with the encouragement of the editor, Max Hastings, the Daily Telegraph made obituaries a leading feature of the paper — a fashion which has been followed by most of London’s broadsheets. This book assembles 100 of them, dealing with soldiers who died between 1987 and 2002. Where obituaries and book reviews differ

Hobbling the sacred cows

Here’s a real cure for anyone with a bad case of things-are-getting-worse-itis. Written in 1962 principally for the American market, London Perceived has now been republished over here for the first time in 40 years, which seems staggering. I’ve never read a better summary of London or Londoners. And it has hardly dated at all. The sombre — and beautiful — black and white photographs are so elegiac that you’re conned into thinking that here is a sombre — and beautiful — but long-vanished city. The differences between London then and London now, though, are surprisingly few. I suffered a particularly acute bout of things-are-getting-worse-itis when I looked at one

The old order changeth

As a historical novel Thomas Gage is more Hardy than Tolstoy. The classic historical novel — as concocted by Walter Scott and perfected by Tolstoy — gives the reader an unexpected viewpoint from which to witness a great historical moment. Fictional characters with fictional relationships are the centre of attention, but they weave in and out of the company of historical figures and take part in great events. Thackeray leaves Dobbin dead on the field of Waterloo beside the genuine casualties of the day; Scott removes Waverley from Prince Charles’s army to spare him a similar fate at Culloden. The success of Patrick O’Brian, of Allan Mallinson’s Close Run Thing