Peter Phillips on Nicholas Kenyon’s Proms swansong and a lost masterpiece Nicholas Kenyon’s swansong at the Proms this summer is surely the most elaborately complicated, one might say contrapuntally conceived, series of concerts ever staged. Just reading the blurb makes one’s head spin — so many themes, so many anniversaries, so many reasons for paying
It’s a commonplace these days for satirists and their fans to claim that they have an unnerving ability to know how politicians work behind the scenes. ‘Someone from No. 10 said, “How on earth do you get it spot-on, every time? It’s uncanny.”’ For instance, some years ago Rory Bremner was playing Tony Blair. There
Strange to think of Tom Stoppard attaining three score years and ten. It seems a mere nanosecond since we were first dazzled by his disturbing take on Shakespeare, Rosencrantz and Guildenstern Are Dead, and his plays are still characterised by the tumbling ideas and linguistic foreplay of youthful ingenuity. To celebrate his birthday, BBC Radio
My computer gave up the ghost last week. I bought it in 1999 and in recent months it has felt a bit like one of those clapped-out spaceships in Dr Who, held together only with wire and willpower as you force it through the space-time continuum. Normally such technical failure would reduce me to fury
I thought I was unembarrassable, at any rate with the lights out. ENO’s production of Kismet has proved me wrong. I sat blushing furiously and sweating, when I wasn’t struggling to keep my eyes open and head up. Anyone who thinks — and some people do — that artistic badness is merely a lack of
The Pain and the Itch – Royal Court / Small Miracle -Tricycle / The Last Confession -Haymarket The Pain and the Itch Royal Court Small Miracle Tricycle The Last Confession Haymarket Class warfare is at its most vicious and exhilarating when it occurs within classes rather than between them. Just as feminism is a conspiracy by
Edmond 18, Key Cities Edmond Burke (William H. Macy) is middle-aged, middle-American, dully employed, dully married. One evening, on his way home from work, a quasi-mystical whim leads him to consult a fortune-teller who tells him, ‘You are not where you belong.’ The consequences of this are felt later that evening when he says to
As we are constantly reminded, every exhibition in these novelty-obsessed times has to be the first to do something, and the Tate’s rather dreary photo show is no exception. ‘The first major exhibition ever to present a photographic portrait of Britain from the invention of the medium to the present day,’ trumpets the press release.
I was intrigued to meet Grayson Perry — who wouldn’t be? I hadn’t known his work before he hit the national headlines in 2003 as one of the artists shortlisted for the Turner Prize, which he subsequently carried off in triumph as his alter ego ‘Claire’, dressed to kill in mauve satin frock with ankle
Kristin Scott Thomas has a bee in her bonnet. Actually, she has several bees in her bonnet. It’s more like a beehive than a bonnet. ‘British cinema is at death’s door,’ she rages. ‘Funding is a real issue. But people just aren’t making the right decisions about what gets made.’ I’m speaking to her at
Artists’ Self-Portraits from the Uffizi The Uffizi is to Florence what the National Gallery is to London, and part of its astonishing collection is devoted to a unique array of self-portraits, housed now in the Corridoio Vasariano. This long corridor, which links the Palazzo Vecchio to the Palazzo Pitti, was designed by Giorgio Vasari, artist,
John Ruskin (1819–1900) was Britain’s leading authority on art in the 19th century, and his voluminous writings had a profound influence on both artists and public appreciation. The process of art, according to Ruskin, was one that should be founded upon the truthful perception of nature, and landscape art and its practitioners, notably Turner, were
Scripts like sheep, marks dancing out of the ears; but amidst the academic year’s most frazzling fortnight there have been five successive events in Cambridge of pure ecstasy — pleasure more spiritual than carnal — chaste, severe, poised to ‘bring all Heaven before your eyes’. Thanks to collegiate generosity, the viol-consort Fretwork, finest of its
Almost everything about Katya Kabanova, Janacek’s first almost perfect opera, is extraordinary, except its heroine, who is a kind of distilled version of what many opera composers most love: a woman who has such appalling things inflicted on her that she is provoked into doing everything with her voice which it’s possible to do, to
At The Five Wives of Maurice Pinder I had to suspend my disbelief so hard that my brain chafed. Mr Pinder is an ordinary south London labourer who likes marrying, getting divorced and keeping the divorcees at home. Curtain up and he’s living with three former wives — and a new young filly has just
Oh, for heaven’s sake, now they’ve gone and ruined Shrek, and I hate them for it. Indeed, may those responsible be damned to the eternal fires of hell. Failing that, may they at least wake up one day with their feet on the wrong way round and an elbow for an ear. How dare they?
Doctor Who (BBC1, Saturday) has been particularly brilliant of late and I think Spectator readers should know. There were moments in the first two new series where one might reasonably have gone, ‘Yeah, but it’s still not a patch on the original.’ But as series three draws to an end, I don’t think there can
The last thing Winston Churchill (or Ramsay MacDonald, for that matter) would have thought of discussing before taking power as prime minister was the kind of books they read to their children, or took to bed with them after a hard night’s slog wading through government papers. But such are the times we now live
There is a corner of Northumberland, in the valley of the River Coquet, where the climate has been changed for ever by the actions of one man. In the mid-1860s, William Armstrong set out to transform vast tracts of raw, bleak moorland into what he described as ‘an earthly paradise’ and by the time of
There is a remarkable project of great enterprise and diligence in progress throughout the land — a plan to catalogue all the oil paintings (as well as those in acrylic or tempera) in national collections. This gigantic task is being undertaken by a charity called The Public Catalogue Foundation, which is publishing its findings in